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Opera" Dead Christ "

"Dead Christ"
25 cm x 35 cm, mixed media on canvas, 2010

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Article on Culture Marche

E 'release portal "Marche Culture an article in the Poetess Maria Lenses that talks about the next book out by Professor Robertomaria Siena and just ended the show of homage to Bosch in Rome at the Galleria Vittoria treated just the same professor.

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debate on contemporary

was held on Thursday, May 20 to 19.00 in Rome at the Galleria RDF debate on contemporary art. This has had starring the critic and art historian Prof. Robertomaria Siena artist and friend Professor Marcello Rossetti. Speakers included the debate artists Claudio Perri, Giorgio Dante, Thomas Didymus, Roberto Ferri, Marco Calcagni and the poet Paul Christian.

From left to right, the poet Paul Christian, the art historian Prof.
Robertomaria Siena, artist Prof. Marcello Rossetti.
Behind the works "San. Sebastian" by Thomas Didymus
and "The Temptation of St.. Antonio" Giorgio Dante

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Photo exhibition at" Quality Selection "on Civitavecchia

Photos of 'display at Thomas Didymus "The Song of the Siren ", the latest artistic and cultural event called artist designed and created by Master Art Italo-Swiss Anna Pavone Saegesser in close collaboration with the designer and his friend Franco Ciambella Maurizio Vignati.

Doughnut Franco, Anna Saegesser Peacock, Thomas Didymus

Thomas Didymus with her friend Anna Pavone Saegesser Col. Vincenzo Fontana and journalist Rita Busato

Intermezzo of the poet Joan Prosperelli

Saegesser Anna Pavone, Doughnut Franco, Thomas Didymus, Rita Busato

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DEBUT ON STAGE FOR STUDENTS OF THEATRE WORKSHOP

stage debut for the Performing Arts High School students and colleges "Olga Fiorini" bustocco school pupils have played at the Theatre of the People of Gallarate a script adapted from the famous novel by Ray Bradbury "Fahrenheit 451". "Burn" is the title of the work staged in the festival Laiv Action, organized by the Fondazione Cariplo time as the final verification of the project Laiv (Laboratory of Performing Arts Live).
The show is set in a possible future in which, by popular demand, the books were banned and created a corps of firefighters who have as their task to burn all the books in circulation and to deport the unwary owners. The staging makes use of a key scene, with the towers of books and a barrel that brings back the bonfire. The actors, David Bordin, John Cabiola , Gaspari Samantha, Sara Giovinazzi , Federico Siragusa, Francesco Spensatello , all first-time, gave a good account of himself, playing with conviction and precision the characters assigned to them.
The show has had some success getting the congratulations of the audience, consisting mostly of students from other schools involved in the performances, and even those of the organizers. It is not, at the end pm, a buffet offered by the Foundation for children.
The show will be staged again on May 30 within the series "Make the seats," sponsored by the Lombardy Region, the Province of Milan and dall'Agis (Italian General Association of the show), the section devoted to schools. The event, which will have the theater in the Park Fountains of Rho, with input from Via San Martino, gets underway at 14.30 and will end the evening with a time of fellowship, featuring a buffet and the representation of a company of professionals, both offered by the organization. They are of course welcome all students of the institute along with their families.

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women's volleyball, the girls of" Pantani "

E 'was a landslide victory that reported by the girls of high school sports "Marco Pantani, who have won the provincial championship women's volleyball student for the junior category. The team led by Gaia Accoto and coached by the teacher defeated Sergio Della Valle, in fact, 0 for 3 in the formation of ITP of Trade in the final that was held this morning in the gymnasium of the school with Jerago Orago.

Among the fans who attended the game even our director Mauro Ghisellini, who then congratulated the champions, which should also be complimented Rosario Vadala the headmaster, teachers and all students of the institute.

no less deserving of the boys "Pantani" that, again this morning, won the title of vice-provincial tournament in five student of football: the team led by Captain Luca Blanco and coached by Professor David Tomanin is it is placed second, losing on penalties against Newton Institute of Varese, at the end of the triangle that also involved in Gallarate, ITC Gadda.

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Presentation of the "Endymion" by Prof. Robertomaria Siena

Presentation by the art critic and historian Prof. Robertomaria Siena Endymion this work to 'show "The Song of the Siren" of Civitavecchia, Via Centocelle 31. The exhibition will run until May 23. Admission is free.

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Press Review of "The Song of the Siren"

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Poster exhibition "The Song of the Siren"

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Exposure to Civitavecchia

It will open the day Sunday, May 16, at 18:00, at the exhibition area of \u200b\u200b"Quality Selection" located in Corso Centocelle 31 Civitavecchia, exposure of Thomas Didymus, the third and last performer of the cultural event "The song of the siren. " Designed and built by the Italian-Swiss Saegesser Anna Pavone, in close collaboration with the designer Doughnut Franco and his friend Maurizio Vignati, aims to promote culture and art through a dialogue between different forms of expression combined with the same passion and love for artistic research. In addition to paintings by Anna Saegesser Peacock, Thomas Didymus and sculptures by Francesco Caridi, will be permanently exhibited for the entire duration of the works of designer Franco Ciambella.


* The works of Thomas Didymus event "The Song of the Siren", refers to the artistic production of 2009 and have been widely discussed and theorized by Professor Robertomaria Siena.

Thomas Didymus and the 'Informal Anachronism "

Research has always been for Thomas Didymus, the North Star to look with constant fidelity. From this fact arises that we can easily define the "revolution of 2009." What is this? Didymus has until now (happily) ranged from an informal practice and a perfect pictorial semifigurativa. Now the young artist throws himself to the user and the challenge of 'Informal Anachronism. We start from the adjective, the painter remains true to his old love for the Informal and Abstract Expressionism. This preference is rooted, as we have said many times, in a radical anti-Platonism, there are the "real world" and the "apparent world", the "apparent world" resolves itself being in its totality. Leopardi our claims that everything is matter and that the spirit, if it exists, is only another name for the area. In turn, the field is unstable, dense, opulent fascinated by his own physicality. We can talk about life force Bergsonian provided, however, that we realize that the painter correct the great philosopher Francesco. Bergson says that the vital force is the consciousness that goes into the matter and the organization. For the artist, on the contrary, consciousness is matter and, outside of matter, nulla salus. That said, let's see how the material behaves evoked by Didymus.

What of the substantive reasons "Anachronism"? It 'easy to say, the anachronism is when they get in the field of myths and gods. Look, just to give one example, the "God-Demiurge," an obvious homage to Marcion and his heresy. Here is a God, although he Abortion is the creator and operator of evil, hence the anatomy of this imbalance to be devilish. So, in the Twin, the matter in its convulsions, secretes the gods; they, in turn, is never separated from what originated them. From this point of view, our position is heretical against that of Giorgio Dante's brother, Thomas Didymus. It follows the original treatment of anachronism and staff of the painter, the question Central is precisely that of matter and form. Dante, as "anachronistic Orthodox" is a student of the absolute form, his paintings, in fact, is a glaze that is enchanted with a single body 'idea that is both dream and Paradise of the Senses. The memory and the museum also holds between the two of them brothers, in addition to museum literature, it is no coincidence that Didymus, with his "Elephant" pays tribute to Saramago. It follows the refusal dell'antireferenzialismo and recovery of the "infamous" paint-union literature does not mean, however, for the painter, a total departure from the tradition of avant-garde art and its suggestions of Action Painting. It 'also Surrealism In fact, looking as it is the vision that is constantly working. That said, however, we have exhausted the subject.

The celebration of the material also serves to refute the "strategy of impurity", the "strategy" that has stretched and tends to wind up the painting. In this sense the position of Didymus is quite radical, and the primacy of painting through the kit, once again, the show found the body of painting which throws in my face to the user's own skin and their bowels. A painting that, while cultivating the beauty without any shyness, this is certainly another factor that leads the artist inside the 'anachronism. In this so there can be no misunderstanding: the dream, the beauty, the fantastic and the characters are well defined as they are, real entities and bodies to the square. The conclusion is that Thomas Didymus, art is not an arabesque abstract art is actually very real, that is the only solid truth which we can access, all this, not surprisingly, is that "religion of art" that is the cornerstone of the philosophy of anachronism.

** For further details are available other critical texts in the "Critical" in the upper left.

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last stop of the exhibition "STOP ABUSE THE WOMEN "

ended the the second stage of the show that saw the works exhibited in the "Sala Atelier" of the International House of Women. The exhibition, touring, then arrives at its third and final stage in the contemporary art gallery, "Gallery Space Workshop 468" located in Via della Lega Lombarda, 48.

The opera "La Danza delle Muse "
exhibited at the International House of Women

"Sala Atelier"
before the inauguration